Prototype 4.0 pokes at the themes of liberation, concealment, and spectacle through improvised performance in public spaces. Finding anonymity in obliterating the face with a clean white helmet, the performer expands into the city to co-opt it into her dance. The structural confines of the city and its hard edges are redefined ever-so briefly into a space of transformation for her body. A body which is continuously defined by the gaze of others and the trespasses of unwanted hands in the crowds of the city.